Past Visual Arts & Culture

Class of 2025
Studio Art Senior Show

Department of Art and Art History
May 14 - June 13, 2025
Art and Art History Gallery in Dowd

Opening Reception: May 16, 5 p.m. Dowd Lobby

Graduating seniors in the Studio Art Program exhibit their capstone art projects.

19th Annual Art History Symposium

May 16, 2025, 3:30 - 5 p.m.

Art and Art History Gallery
Edward M. Dowd Art and Art History Building
Gallery Hours: M - F, 9 a.m. - 4 p.m.

Art History Student Research Symposium and Paper Prize Competition
The Annual Art History Student Research Paper Prize Competition occurs in April and any student who received an A or A- on a research paper written for an art history course in the previous three quarters is eligible to enter. The faculty announces the winner of the paper prize in June at the annual BBQ and Awards Ceremony.

The Department also holds an annual Art History Student Research Symposium (AHSRS). Since 2004, the AHSRS provides students with an opportunity to present their research in a formal setting and format modeled after a professional conference. The Symposium is held in the Art and Art History gallery and draws a large audience from across the Santa Clara University community. Topics reflect student interests in a range of media from areas across the world, from ancient period to the present.

Evolution of Place: San Francisco’s Outer Sunset District

February 18 - April 17, 2025

Edward M. Dowd Art and Art History Building
Art and Art History Gallery
Gallery Hours: M - F, 9 a.m. - 4 p.m.

Featuring Artists: Jessica Dunee

Artist Talk and Reception: April 9, 2025, 5 - 7 p.m., Dowd Lobby

First I lived in a green world. Then I lived in a yellow world. Then I had to put away my Indian yellow paint. Through efforts to conserve energy, San Francisco’s street lights have changed from mercury vapor in the 1950s to high-pressure sodium in the 1990s to, most recently, LED. I’m an insomniac, so I work mostly at night. As the night has changed, my paintings have changed along with it. When we first moved here 35 years ago, I was reluctant, but it was what we could afford. I thought the Great Highway was the gloomiest place. Now I see that when you’re stuck somewhere, you learn to see it. My job as a painter is to look out the window at another foggy night and find what is miraculous in it. I’ve changed too. I work where I live. During the lockdown, I did paintings from the roof. Landscapes are not currently fashionable, but we live in landscapes. Where our feet are is where we are. I want viewers to understand what it feels like to be in this place at this exact moment–and challenge them “to see the world anew.”

– Jessica Dunn

Material Concerns

December 2 - January 31, 2025

Edward M. Dowd Art and Art History Building
Art and Art History Gallery
Gallery Hours: M - F, 9 a.m. - 4 p.m.

Featuring Artists: Pilar Agüero-Esparza & Hector Dionicio Mendoza

Artist Talk and Reception: January 30, 2025, 5:30 - 6:30 p.m., Dowd Lobby

Migration, social hierarchies, experiences of otherness and invisibility – all inform the practices of Pilar Agüero-Esparza and Hector Dionicio Mendoza. In their mixed media works, the human body serves as a focal point for material exploration in the representation of the body in physical form and as well as conceptually. Both artists work with specific materials chosen for their materiality and signifying potential. Informed by craft and the hand-made object, these artists combine their material concerns with their social concerns to spotlight specific cultural experiences and give voice to marginalized communities.

Agüero-Esparza and Mendoza’s 2010 project “El Shop” was a significant collaboration through which each artist augmented their individual artistic paths. This exhibition, fifteen years forward, brings the artists together to survey their current commonalities particularly within the content of their work and view their distinctly individual forms of expression garnered through specific working processes and materials. As a component of this exhibition, the artists hope to create new collaborative work in which they will explore the potential of combining their respective working strategies and materials with current content concerns.

The Visual Arts @ SCU

September 23 - November 8, 2024

Edward M. Dowd Art and Art History Building
Art and Art History Gallery
Gallery Hours: M - F, 9 a.m. - 4 p.m.

Artist Talk and Reception: October 3, 2024, 5:30 - 6:30 p.m., Dowd Lobby

The Visual Arts @ SCU is an exhibition of the art and publications by the faculty and staff of the Art and Art History Department and the de Saisset Museum at Santa Clara University.  This exhibition highlights and celebrates the knowledge, skills, talents and resources available in the visual arts to the University community and greater Bay Area.

Annual Student Art Juried Show

Department of Art and Art History
Date: TBA
Edward M. Dowd Art and Art History Building, Hallway Spaces

An art gallery with paintings on the walls and sculptures on pedestals.

All students of all levels participate in the Annual Student Art Juried Exhibition. Even non-majors are encouraged to submit their art work and have it judged by a professional jury for awards given out at the end of the year.

When We Move: A View of Technology through a Black Lens

Department of Art and Art History
February 20, 2024 - April 19, 2024
Edward M. Dowd Art and Art History Building
Art and Art History Gallery
Featuring Artists: Nyame Brown and Rodney Ewing

Artistic drawing of a human face in profile with mechanical and abstract elements, resembling a cybernetic or robotic design.

In this two-person show Nyame Brown and Rodney Ewing will be exhibiting paintings, drawings, works on paper, and objects that reflect on and invent technology that ranges from mass communication to space travel, as it pertains to the specific needs of a Black diasporic community.

Common Thread

Department of Art and Art History
November 13, 2023 - February 2, 2024
Edward M. Dowd Art and Art History Building
Art and Art History Gallery
Featuring Artists: Alice Beasley, Michelle Kingdom,
Kira Dominguez Hultgren

Wood and Material Woven Together

This exhibition weaves three artists together through their shared interests in textiles and the narrative qualities found in their works. Each artist’s practice involves working in mediums considered traditional modes of female creative production. Yet, they present refreshingly non-traditional themes, complex intentions, diverse materials and innovative methods. Common Thread is curated by Marianne K. McGrath, M.A. art curator and consultant.

The Mechanical Horse
by Adrian Landon

Interactive Art Exhibition
September 25, 2023 - January 21, 2024
Sobrato Campus for Discovery and Inclusion (SCDI) Lobby,
Santa Clara University

FREE AND OPEN TO THE PUBLIC!
The exhibit is activated through participation by the community. Push the button to the side of the sculpture and watch the horse gallop for one minute. The natural gait of the Horse is brought to life by the complex mechanical movement inside, creating a sense of awe and wonder in those that observe the sculpture in motion.

con.Text: Portraits by Bryan Ida

Exhibition
April 11 - June 17, 2023
de Saisset Museum

A composite image featuring a woman on the left wearing sunglasses, a t-shirt that says "The future is female," shorts, and boots, and a digitally manipulated statue of a woman on the right, wearing a head covering and face mask.

“The intent of this series is to portray individuals as the embodiment of strength and pride standing defiantly in the face of oppression and fear by a power against them.” - Bryan Ida

Utilizing text from government documents, declarations, and other institutional communications, artist Bryan Ida creates life-sized portraits in which the linework is his actual handwritten transcription of the sentences and phrases from the selected documents.

The con.Text series relates these historical events and documents to the lives of the individuals depicted. Each person portrayed is connected to the text used to create their portrait either through direct impact or generational effects of policies.

Collectively, the portraits examine a broad range of subjects, including racism, civil rights, and human rights.

Ida develops the ink portraits working from photographs. While many of the source photographs are contemporary images taken by the artist himself, the photographs referenced for Grandfather (2018), Father (2020), and Grandmother (2022) — depicting members of Ida’s own family — are based on photographs by Dorothea Lange taken as part of her assignment from the War Relocation Authority to document the relocation of Japanese Americans during WWII.

Writing Forward Reading Series

A Creative Writing Book Release
Department of English
May 24, 2023
Wednesday, 6:00 p.m. - 8:00 p.m.
Nobili Hall Dining Room/Patio

Writing Forward Reading Series

A Creative Writing Book Release celebrating SCU English Department authors Kai Harris, Miah Jeffra, and David Keaton, with readings by other creative writing faculty and students. Food, drink, and words provided.

Art History Student Research Symposium

Department of Art and Art History
May 19, 2023
Friday, 3:30 p.m. - 5:00 p.m.
Edward M. Dowd Art and Art History Building

Four young women and one young man seated at a table with a red tablecloth that reads 'Art and Art History.' They are wearing face masks and participating in a panel discussion or presentation. Behind them is a large screen displaying images and text.

The Department holds an annual Art History Student Research Symposium (AHSRS). Since 2004, the AHSRS provides students with an opportunity to present their research in a formal setting and format modeled after a professional conference. The Symposium is held in the Art and Art History gallery and draws a large audience from across the Santa Clara University community. Topics reflect student interests in a range of media from areas across the world, from ancient period to the present.

Floating Kīpuka /Dreaming the Futures We Want to Grow

Art Exhibition
Department of Art and Art History
April 6 - April 28, 2023
Edward M. Dowd Art and Art History Building

Four red plastic figurines and three red plush toys on a reflective surface.

Corinne Okada Takara is a community artist, activist, and STEAM educator who creates playful art/science experiences that elevate cultural science knowledge and community voices in conversations centered on sustainability and biotechnology. She has spent over 15 years collaborating on arts programming in East San José, Salinas, and Hawaii with a career spanning game design, public art, and many community spaces collaborations.  

As the daughter of a toy designer, her approach is informed by play’s power as a facilitator of brainstorming, communion, experimentation, iteration, and dreaming of sustainable futures. She was introduced to biology by her father through hands-on toy-making with natural materials, and storytelling with endemic, invasive, and canoe plants on Maui. She learned about biological systems sitting on her grandma’s lanai as she was taught to make pinwheels of hibiscus flowers and boats of bamboo leaves. Listening to family stories of life in a Maui sugarcane labor camp, Corinne learned that we know a place through the plants, its names, its legends, gifts of health, rituals of gratitude, and play. That deep multifaceted engagement with biology has inspired her to connect to place and community through food, playful making, cultural knowledge, and agricultural labor issues.

Threshold

Art Exhibition
Department of Art and Art History
February 7 - March 16, 2023
Edward M. Dowd Art and Art History Building

Abstract art installation with gold-colored structures, a bent wire, and fabric strips hanging in a gallery space.

Threshold, featuring a series of seven doorways, rails, and platforms, constructed of steel, concrete, brass, and piano wire. The modular and interlocking structure functions as a sculptural and conceptual threshold to explore passage between private and public space. On site, the framework is arranged and assembled to create curious perspectives and relationships to the existing space and architecture. Discrete sculptural elements interwoven throughout create navigable destinations and intimate moments for the viewer. Physical casts and tactile objects serve as reminders of the body and suggestions for performance. The intermingling of both architectural and sculptural forms transition between private and public spaces. Passage through the threshold takes on its own meaning and imbues a unique “sense of place”.

Artist: Daren Kendall